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	<title>Fans Against Fake Bands &#187; Orchestra</title>
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		<title>Louis Armstrong</title>
		<link>http://fansagainstfakebands.com/50s-bands-music/louis-armstrong/</link>
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		<pubDate>Tue, 05 Jan 2010 19:31:13 +0000</pubDate>
		<dc:creator>videeoo</dc:creator>
				<category><![CDATA[Big Band]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music from the 50's]]></category>
		<category><![CDATA[Orchestra]]></category>
		<category><![CDATA[Armstrong]]></category>
		<category><![CDATA[Louis]]></category>

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		<description><![CDATA[Solo Act – No rating The influence of Louis Armstrong on the development of jazz is virtually immeasurable. Yet, Louis Armstrong irrepressible personality both as a performer, and as a public figure later in his career, was so strong that to some it sometimes overshadowed his contributions as a musician and singer. As a virtuoso [...]]]></description>
			<content:encoded><![CDATA[<div id="in_post_ad_top_1" style="margin: 5px;padding: 0px; text-align:center"><p align="center"><script type="text/javascript"><!--
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</script></div><strong><span style="color: #ff0000;"><img class="alignright size-full wp-image-306" title="Louis Aarmstrong" src="http://fansagainstfakebands.com/wp-content/uploads/2010/01/louis_armstrong.jpg" alt="Louis Aarmstrong" width="200" height="198" />Solo Act – No rating</span></strong>

The influence of Louis Armstrong on the development of jazz is virtually immeasurable. Yet, Louis Armstrong irrepressible personality both as a performer, and as a public figure later in his career, was so strong that to some it sometimes overshadowed his contributions as a musician and singer.

As a virtuoso trumpet player, Louis Armstrong had a unique tone and an extraordinary talent for melodic improvisation. Through Louis Armstrong playing, the trumpet emerged as a solo instrument in jazz and is used widely today. Louis Armstrong was a masterful accompanist and ensemble player in addition to his extraordinary skills as a soloist. With his innovations, Louis Armstrong raised the bar musically for all who came after him.

Though Louis Armstrong is widely recognized as a pioneer of scat singing, Ethel Waters precedes his scatting on record in the 1930s according to Gary Giddins and others. Billie Holiday and Frank Sinatra are just two singers who were greatly indebted to Louis Armstrong. Holiday said that she always wanted Bessie Smith&#8217;s &#8216;big&#8217; sound and Louis Armstrong&#8217;s feeling in her singing.

The house where Louis Armstrong lived for close to 28 years was declared a National Historic Landmark in 1977 and is now a museum. The Louis Armstrong House Museum, at 34-56 107th Street (between 34th and 37th Avenues) in Corona, Queens, presents concerts and educational programs, operates as a historic house museum and makes materials in its archives of writings, books, recordings and memorabilia available to the public for research. The museum is operated by the City University of New York&#8217;s Queens College, following the dictates of Lucille Armstrong&#8217;s will.

On August 4, 2001, the centennial of Louis Armstrong&#8217;s birth, New Orleans&#8217;s airport was renamed Louis Armstrong International Airport in his honor.

In 2002, the Louis Armstrong&#8217;s Hot Five and Hot Seven recordings (1925-1928) are preserved in the United States National Recording Registry, a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the National Recording Registry of the Library of Congress.

The US Open tennis tournament&#8217;s former main stadium was named Louis Armstrong Stadium in honor of Armstrong who had lived a few blocks from the site.

Today, there are many bands worldwide dedicated to preserving and honoring the music and style of Satchmo, including the Louis Armstrong Society located in New Orleans, LA.

Source and more information: <a href="http://en.wikipedia.org/wiki/Louis_Armstrong" target="_blank">Wikipedia</a><div id="in_post_ad_bottom_1" style="clear:both;margin: 5px;padding: 0px;text-align:center"><script type="text/javascript"><!--
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		<title>Benny Goodman</title>
		<link>http://fansagainstfakebands.com/big-band/benny-goodman/</link>
		<comments>http://fansagainstfakebands.com/big-band/benny-goodman/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 18:58:10 +0000</pubDate>
		<dc:creator>videeoo</dc:creator>
				<category><![CDATA[Big Band]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Orchestra]]></category>
		<category><![CDATA[Benny]]></category>
		<category><![CDATA[goodman]]></category>
		<category><![CDATA[swing]]></category>

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		<description><![CDATA[Solo Act – No rating Hailed as the &#8221;King of Swing,&#8221; Benny Goodman was one of the early innovators of that genre and the first of its bandleaders to emerge as a national icon. Benny Goodman&#8217;s orchestra was nothing short of a sensation, an obsession to some. Teens and jazz fans alike flocked to see [...]]]></description>
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</script></div><strong><span style="color: #ff0000;"><img class="alignright size-full wp-image-303" title="Benny Goodman" src="http://fansagainstfakebands.com/wp-content/uploads/2010/01/benny_goodman.jpg" alt="Benny Goodman" width="200" height="182" />Solo Act – No rating</span></strong>

Hailed as the &#8221;King of Swing,&#8221; Benny Goodman was one of the early innovators of that genre and the first of its bandleaders to emerge as a national icon. Benny Goodman&#8217;s orchestra was nothing short of a sensation, an obsession to some. Teens and jazz fans alike flocked to see their idol in person. Often a Benny Goodman concert approached near riot status.

Benny Goodman became a successful studio musician in New York City. He formed his first regular orchestra in 1934 and recorded a few sides for Columbia. Arrangements provided by Fletcher Henderson helped Benny Goodman establish a swing beat.  Swing was almost unheard of in those days.

Benny Goodman&#8217;s orchestra opened in New York in October of 1936 to tremendous response and continued strong for the next three years. Ward left in 1937, to be replaced by a succession of female singers Ella Fitzgerald (on loan from Chick Webb), Margaret McCrae, Frances Hunt, Peg LaCentra and Betty Van. Benny Goodman finally found a perfect fit in Martha Tilton.

In January 1938 the orchestra had its defining moment in a concert at Carnegie Hall which left tuxedoed guests dancing in their boxes. Benny Goodman also became involved in classical music, performing and guest conducting orchestras while still leading his swing outfit.

Benny Goodman formed a new orchestra in 1945 which featured vocalists Jane Harvey, Bob Hayden, and Kay Penton, as well as trombonist Kai Winding and saxophonist Stan Getz. Though the band was a critical success the public&#8217;s taste in music was changing, and Benny Goodman, realizing the inevitable, decided to pull the plug for good in late 1946.

Benny Goodman continued performing, but not with a group of his own until the late 1950s when he led orchestras on goodwill tours around the world. He later occasionally reunited with members of his quartet. Benny Goodman died in 1986.

Sourse and more information: <a href="http://en.wikipedia.org/wiki/Benny_Goodman" target="_blank">Wikipedia</a><div id="in_post_ad_bottom_1" style="clear:both;margin: 5px;padding: 0px;text-align:center"><script type="text/javascript"><!--
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